This past weekend’s reopening of Tbilisi’s neo-Moorish opera house after a six-year intermission ranks as Georgia’s cultural event of the year, but it also has provided a stage for a dispute over whether the country is reviving the elitism of the Soviet past.
Grand opera events may be a preserve for the rich and powerful elsewhere in the world, but in Georgia, where fascination with the opera long has cut across class lines, many were expecting a national celebration open to anyone who bought a ticket. It was not to be.
Though a state-run facility, the theater’s January 30 red-carpet opening was invitation-only.
Decked out in their finest threads — most notably, fur coats — the carefully selected invitees featured “le tout Tbilisi" -- senior government officials, Georgian Orthodox Church dignitaries and business leaders.
To read the full story